JUDGES

Shogo Kishino

Shogo Kishino

Representative of 6D-K / Art Director and Graphic Designer
More Info

website : https://www.6d-k.com/

Shogo Kishino

Representative of 6D-K / Art Director and Graphic Designer

website : https://www.6d-k.com/

Born in 1975 in Tachikawa City, Tokyo. Shogo Kishino established the graphic design studio 6D in 2007.
He mainly works on the visual identity for companies and products, as well as logos, package designs, and sign design for a wide range of spaces.
His major awards include the D&AD award, the Cannes Award, the One Show Award, the Design for Asia Award, the ADC Award, the JAGDA Award, the Japan Package Design Award, the Sign Design Award, and many other awards both in Japan and abroad.

The theme of “prototype” gives me something close to that sizzling feeling that arouses a creator’s desire to create. It’s a theme that has a variety of aspects to it, and that means there’s no clear ideal image. So, it’ll also be impossible as a judge to predict what kinds of works will feature in this iteration of the KOKUYO DESIGN AWARD.
Consequently, how the creators each personally interpret the theme and what concepts they come up with are going to be all the more important. A “prototype” is the first step of an idea, and something that points a vector into the future. However, what we want isn’t prototypes or unfinished pieces. I’ll be delighted if the works express things like the paths of trial and error the creators took while constantly working on their entries as they got closer and closer to their finished forms.

Tsuyoshi Tane

Tsuyoshi Tane

Founder of Atelier Tsuyoshi Tane Architects / Architect
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website : at-ta.fr/

Tsuyoshi Tane

Founder of Atelier Tsuyoshi Tane Architects / Architect

website : at-ta.fr/

Tsuyoshi Tane is an architect. Born in Tokyo in 1979, he established ATTA - Atelier Tsuyoshi Tane Architects, and is now based in Paris, France. Based on the concept of “Archaeology of the Future,” which creates architecture from the memory of a place, he currently has a number of projects underway around the world, mainly in Europe and Japan.
His major works include the Estonian National Museum, the Hirosaki Museum of Contemporary Art, the Al Thani Collection Foundation’s museum, the Vitra Garden House, and the Imperial Hotel’s new main building (scheduled to be completed in 2036).
His numerous awards include the Chevalier de l'Ordre des Arts et des Lettres of France, the Rookie Award of the French Academy of Architecture, the Grand Prix of the Cultural Endowment Prize of Estonia, and the 67th Art Encouragement Prize for Rookies from the Minister of Education, Culture, Sports, Science and Technology. He is the author of “TSUYOSHI TANE Archaeology of the Future” (TOTO Publishing).

“Prototype” means the primitive forms all things once had.
Take a sheet of paper, for example. If you write on it, it might turn into a letter, or—if you write a story on it—a novel. Stack multiple pieces of paper on top of each other and bind them together, and you’ll have the “prototype” for a notebook. Please unravel the origins of things in the world around us whose existence is taken for granted, and rethink why they came to have the forms they do. Overturning preconceived notions should reveal to you new “prototypes” that lie beyond.
What kinds of “prototypes” will be needed in the 21st century, as the waves of globalization and diversity spread ever wider? We want you to show us the primitive forms of things like that—things that’ll shape the future of creation. The theme of this year’s KOKUYO DESIGN AWARD also contains sentiments like that.

Nao Tamura

Nao Tamura

Designer
More Info

website : https://naotamura.com/

Nao Tamura

Designer

website : https://naotamura.com/

Nao Tamura is a designer. After studying communication design at Parsons School of Design, she worked for Smart Design (U.S.), which specializes in industrial design, and she became independent. Currently based in New York, she is active in a wide range of activities from products to installation and space design. Her works have been exhibited in a wide range of venues, from the Palais De Tokyo museum in Paris to the Salone del Mobile.Milano in Milan, Italy. She has won numerous international awards.

Taken on its own, the word “prototype” tends to conjure up images of things in an unfinished form. However, I think this year’s KOKUYO DESIGN AWARD will be a forum for examining how complete your designs get in pursuit of self-expression, and the processes involved in that.
For designers, the first step, where they shape ideas and images in their heads, is the best part. “What’s it going to be for, and who?” Focusing on the process that leads to creating something—including the thoughts of your own that you want to convey through design—should enable you to create new ideas that are even more original.
I’m looking forward to encountering works that honestly express the fun of design, cherishing the personal perspective of “I wish there was something like this.”

Teruhiro Yanagihara

Teruhiro Yanagihara

TERUHIRO YANAGIHARA STUDIO. CO LTD.
Creative Director and Designer
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website : teruhiroyanagihara.jp/

Teruhiro Yanagihara

TERUHIRO YANAGIHARA STUDIO. CO LTD.
Creative Director and Designer

website : teruhiroyanagihara.jp/

Teruhiro Yanagihara has a studio and gallery space “VAGUE” in Kobe and Arles, France. He also works on projects that transcend national and genre boundaries, based in Japan, France, the Netherlands, the UK, and Taiwan. He offers comprehensive proposals in interior design, product design, and creative direction.

I think the important thing with this theme isn't creating prototypes, but how you manage to address their raison d'être.
Improving existing products little by little with the aim making something even better is extremely important when it comes to making things. Prototypes are always a part of that process. No matter how far you go with a design, it'll never be 100% finished, and there'll always something that can be improved even after you've let go of it yourself.
While imagining a future in which your works will be brushed up by various other people, how will you create indicators that'll serve as the basis for making that happen?
I'm looking forward to seeing proposals for "prototypes" that harbor new possibilities that'll set our hearts fluttering.

Yoshie Watanabe

Satoshi Yoshiizumi

Principal of TAKT PROJECT Inc. / Designer
More Info

website : taktproject.com

Satoshi Yoshiizumi

Principal of TAKT PROJECT Inc. / Designer

website : taktproject.com

Satoshi Yoshiizumi conducts experimental independent research projects on “creating different possibilities” through design, and presents and exhibits work as a guest at museums and exhibitions both in Japan and abroad. He rolls out a wide variety of projects with his clients based on the results.
His major awards include Dezeen Awards Emerging Designers of the year 2019 (UK), Design Miami/ Basel Swarovski Designers of the Future Award 2017 (Switzerland), FRAME Awards (Netherlands), if Design Award Gold (Germany), Red Dot Design Award (Germany), German Design Award (Germany), and the 25th Kuwasawa Award. Three of his works are featured in the collection of the M+ Museum in Hong Kong. He is also the exhibition director of the 21_21Design Sight special exhibition “Material, or”. In 2023, he served as the exhibition director for the 21_21 DESIGN SIGHT exhibition “Material, or.”

What kinds of ripples will the designs the entrants come up with spread through society? A major difference from the themes the KOKUYO DESIGN AWARD has had over the past few years is that this time, the focus isn’t on proposing things that “give” people something they’ll desire, but on what kinds of landscapes will spread away beyond that? In other words, we’re calling for proposals that’ll “draw out” the recipients’ imaginativeness. In that sense, what we’re looking for this time around is “new prototypes” that will, so to speak, cast stones into the ponds of people’s minds. While it’s important for designs to be easy to understand, with the theme of “prototype,” it’ll also be important for them to include some unknown aspects that can be the starting points for people’s imagination.
I’m hoping to encounter works that don’t just illicit a simple endorsement of “I like that,” but also have a mysterious gravitational attraction that makes me go “Oh?” and want to stop and ponder on them. I’m looking forward to seeing proposals that’ll baffle us in a good way.

Hidekuni Kuroda

Hidekuni Kuroda

KOKUYO Co., Ltd.
Representative Corporate Officer and President
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Hidekuni Kuroda

KOKUYO Co., Ltd.
Representative Corporate Officer and President

Hidekuni Kuroda joined KOKUYO Co., Ltd. in April 2001. He previously worked in corporate sales for the Furniture Business Division, as the Corporate Planning Department Manager, and as a company representative before becoming Representative Director of the Board, President, and CEO in 2015. In February 2021, the company announced its long-term vision, and introduced a new corporate philosophy: “be Unique.” In November of the same year, it announced its third medium-term management plan: “Field Expansion 2024.” It strives to achieve sustainable growth by capturing changing customer needs and creating new experiences in how we work and learn.

I want everyone to come up with ideas that’ll be the starting point for a new future. I entrusted that wish to the theme of “prototype." Sending something new out into the world is risky, and takes a lot of courage. However, in the creative world, before success or failure enter into the picture, everything starts with ideas. I want you to use the KOKUYO DESIGN AWARD to propose lots of ideas that have smoldering away within them the feeling of “I’m not sure if the world will accept it...“ That might prove to be the trigger that helps you present your ideas to the wider world, and get them turned into products. I’m looking forward to seeing everyone’s courageous spirit of challenge.

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